Quilts on display

by Michelle on January 26, 2010 in Artwork, Textiles

The asso­ciate art direc­tor of the mag­a­zine, Vicki Hornsby, went to an auc­tion at her cot­tage a while back and was the lucky win­ner of an assort­ment of quilts. Soon after, she moved, and then I got lucky when she kindly gave me one of the quilts in an effort to declut­ter dur­ing her move. Here it is, on one of the beds in our cot­tage cabin:

My cottage quilt

My cot­tage quilt

It’s not valu­able, and prob­a­bly not to everyone’s taste, but I love it. I can’t help won­der­ing where all that fab­ric came from. Scraps from someone’s home­made prom dress per­haps? Or left­overs from a high-​​school home eco­nom­ics craft project? I’ll never know the real story, but to me there’s more magic in these cobbled-​​together pieces of cloth than there ever could be in a made-​​in-​​China throw off the shelves at Wal-​​Mart.

"Crazy" quilt made with silk and velvet, dated 1900

Crazy” quilt made with silk and vel­vet, dated 1900

Judg­ing by the mate­r­ial of my quilt, it’s from the 1970s (the poly­ester neon squares are a fairly strong hint), and the pat­tern is as sim­ple as they come. So it’s likely not very valu­able. Cer­tainly no where near the value of the amaz­ing quilts that I just saw at the Tex­tile Museum of Canada. Their cur­rent exhibit, Kalei­do­scope, show­cases the antique quilt col­lec­tion of Car­ole and Howard Tanen­baum. The exhibit includes more than 40 quilts, from as far back as the 1850s.

Appliquéd cotton quilt with Rose of Sharon pattern, 1852

Appliquéd cot­ton quilt with Rose of Sharon pat­tern, 1852

The com­pli­cated pat­terns boast an aston­ish­ing degree of crafts­man­ship but are also win­dows onto Vic­to­rian life, some includ­ing pop­u­lar children’s car­toons or pro­traits of famous singers. The fab­rics used to make these quilts were most often left­overs from fash­ion­able dresses and men’s suits. Although they come in all dif­fer­ent pat­terns, each fol­low tra­di­tional quilt­ing rules: They must lie flat with straight edges, the sewing must be pre­cise and even, and the pat­tern must have a coher­ent symmetry.

The exhibit runs until March 21.

  • Share/Bookmark

3 comments

{ 3 comments… read them below or add one }

1 mags January 27, 2010 at 10:44 am

Great piece (lit­tle pun there) Michelle…thank you…I did not know about the quilt exhibit. re. your quilt…it’s a beaut and I con­cur with your feel­ings of love and his­tory and pure won­der at every lit­tle piece of fab­ric in the quilts I own. Those darned quilts at Waly­mart are so good sometimes…I mean viewed at a dis­tance the colours, the feel is often just right…if you were going just for dec­o­ra­tive, must have pale green colour ethic…I can see they work on that level.…but no soul, no dream­ing whose dress this was or whose night­gown pro­vided this patch. The crazy quilt in your blog is stun­ning …talk about dreaming…hummmmmm

Reply

2 Debb January 28, 2010 at 7:21 am

I too love quilts. I’ve got a few hand-​​me-​​downs but I also snags a few at yard sales — way back when peo­ple didn’t know their worth!

Reply

3 Jodi February 2, 2010 at 3:55 pm

I love quilts! My mom has been quilt­ing the last cou­ple of years and so I thought I’d give it a try, which gave me an entirely new appre­ci­a­tion of the blood, sweat and tears that go into each one.
Vis­it­ing my Grandma one week­end, she showed me a quilt that her grand­mother made. Each piece of fab­ric was a ran­dom shape, and had it’s own story. She is going to donate it to the Nor­folk County museum so it can be dis­played. Thanks for the tip on the exhibit, I’ll have to check it out.

Reply

Leave a Comment

Previous post: Weekend projects using salvaged windows

Next post: Unhappy Hipsters

Copyright © 2010 CottageLifeStyle, Quarto Communications Ltd, All Right Reserved